Nosferatu: An Allegory for Desire

Jun. 4th, 2026 07:23 pm
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[personal profile] rocky41_7
I've been deep-diving in the Nosferatu (2024) tumblr tag since finishing the movie the other day and while I think there are many ways to interpret the film (including simply accepting it on its face), I wanted to look at it through the lens of repressed female desire and sexuality in the 19th century. Specifically, viewing Count Orlok as the manifestation of protagonist Ellen's sexuality and desire.

Spoilers for the film abound below the cut!

Ellen Hutter, the protagonist, begins to be visited by the vampire Count Orlok through dreams and visions as a teenager. This would coincide with the blossoming of her sexuality and her first experiences with desire, as well as her early menstruation and developing ability to bear children. In the opening scenes which depict the origins of this relationship, there is a long shot of Ellen lying outside in the grass at night, gasping in pleasure. Yet, as one meta on tumblr rightfully pointed out, it doesn't look like she's having sex with someone--it looks like she's masturbating.
Read more... )

Celebrate!

Jun. 4th, 2026 09:34 pm
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[personal profile] chez_jae
Jun4b.jpg

Jun4a.jpg

One day to deadline!

Jun. 5th, 2026 10:18 am
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[personal profile] longficmod posting in [community profile] fandom5k
Just over 24 hours left! Countdown here.

Please remember that works must be able to go live as complete gifts at all points at and after the deadline.

Other important links:

Available pinch hits

Beta post

Pinch hitter prompt post

*pokes head back in*

Jun. 4th, 2026 09:42 pm
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[personal profile] mossy_bench
Ahhh I missed this place. I'm doing laps around my reading page right now :,D

The first half of this year has been quite a mixed bag. A lot's happened that's positive: I'm moving to a better living situation, I've been volunteering at a couple local organizations, and have really lovely friends. Lately, most of my fandom activities were solo and offline. Not a bad thing, I suppose, but it's nice to be on Dreamwidth again.

I'd love to hear how your week has been, or what you've been enjoying lately. :) I've been longhand writing a new fic, reading a few books that were dilly-dallying on my TBR, and getting excited about [community profile] launchtheship

P.S. I have an IRL friend whom I've clocked as being, at the very least, fandom-adjacent, but I'm not sure I have the nerve to ask him about it. He's very into comics and I've read some of his (original) writing. Right now I'm just side-eyeing from afar as he uses terms like "headcanon" in casual conversation. :P

Part 4, Week 2

Jun. 4th, 2026 08:31 pm
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[personal profile] soc_puppet posting in [community profile] moodthemeinayear
Timing is always hectic for me on Thursdays. I'm looking forward to next year, when we'll be on a different day of the week here!

This week's Minimum moods are: Determined, Devious, Energetic

This week's Medium moods are: Refreshed, Surprised, Lazy

This week's Maximum moods are: Horny, Good, Grateful

And right off the bat, we've got a complicated mood to talk about! Since I want to keep this community open to all ages, if there's something 18+ -ish that you want to do with Horny, please either hide it under Details/Summary tags, or post it in your own journal and link it back in the comments. Otherwise, it should be good to go!

And now we get into talking about how to portray the mood itself! A picture of your subject with actual horns on for Horny is a pretty quick way to go about it, as well as if your source material has any scenes where your subject is in the mood. For my fancy rats, I took a cue from Japanese culture, and gave the rat in question a nosebleed; for my pigeons, I'm recreating a video where a pigeon is flirting hardcore with a very confused falcon. I skipped right over that mood in my clouds, though!

Good, on the other hand, is a bit more nebulous! I hear tell that some people like to lean into angelic theming, to contrast with the earlier Devious; there's also a common thumbs up sign as a useful signal. Grateful is more difficult still, especially when we'll have to contrast it with Thankful later on! A soft smile and a hand (or other appendage) over the heart can do well for this, as well as actually receiving something.

But maybe you have different ideas! What are your plans for this week's moods? Is something coming immediately to mind, or do you need some help with it? Do you have your ideas all lined up already? Planning to just skip one or more of this week's moods? That's valid as well! Whatever you decide, let's talk about it!

This is an alibi post

Jun. 4th, 2026 09:20 pm
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[personal profile] ashelterofpages
I will say more words tomorrow, and catch up on my reading page too. Today I was in the world and now need a nap.

Seasonal pickings.

Jun. 4th, 2026 08:35 pm
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[personal profile] hannah
The meeting I had today was the first in a long time where I had space to talk. She let me take a few moments to look away and formulate my answers, and that's rare enough to be worth mentioning. I can't say if everyone at the organization works like her, and it still struck me as a good sign. So I'm tentatively open to the possibility. Wary, and open.

Also of positive note, the nearby mulberry tree's ripe. The only reason I didn't walk away red-handed is because a lot of birds had gotten to it before I could get a crack at things.

C'est beau Paris la nuit

Jun. 5th, 2026 02:28 am
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[personal profile] dhampyresa
I was out with a friend and we were talking so long I missed the last métro home. So I went back on foot, which took around 90mn and was quite lovely. I only had to check a map thrice, on account of my brilliant strategy of "follow Seine to [Landmark], know how to get home from [Landmark]". Idk why I'm feeling so proud of navigating a city I've lived in my whole life, but I do.

Doin' that thing you do

Jun. 4th, 2026 04:34 pm
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[personal profile] gwyn
It's been three weeks now that I've had new kitty and things seem to be going very well. I did have embarrassingly bad stuff with the ferry on the way over, less said about that the better, but I did make it down to Gig Harbor and the instant I met her, I was in love. She had been sitting in the foster person's window well, and as soon as the door opened, she came running to meet me, and loves to head-butt and rub her face on yours. She's such a lovebug that it's bananas: she just wants to be next to you or on you or rubbing against you at all times.

So it was no question that she was coming home with me. The person who runs the group and the foster coordinator had said something funny to me--"I'll go get her from the prison and we should be back in plenty of time"-- and I thought maybe that was their inside joke about a shelter with cages or something. But as I was driving down, I went past a sign that said "Women's Correctional Facility Purdy" and multiple signs saying "Do not pick up hitchhikers." I still didn't quite put two and two together but at the foster's house, she mentioned the prison again, and at my confusion, she finally said "Oh, did she not tell you about the prison program?" Apparently this rescue group has connections with one of those prison programs where they train dogs (most commonly) or work with cats to make them adoptable (in this case, they work with feral kittens and feral adults who show interest in being with humans, as well as other cats that are going to be adopted).

The first time I saw one of these programs was on Pitbulls and Parolees, and I thought it was so cool--the inmates learn really valuable skills that can translate to the post-prison world, and they get to take care of another being that depends on them. Most of these programs have waiting lists, because everyone wants to be part of them. The inmate who cared for Hazel (what I have named her) gave me a great list of things she likes, her behaviors, etc. I've always thought these programs are so cool and I've been joking that Hazel was in prison before she came here, but it's the first time I've had direct experience.

She settled in really fast. She's just really even tempered, and she loooves to chase her tail, anywhere, any time. (She even chased her tail inside a paper bag that I was putting clothing to donate to the food bank's clothes line and fortunately didn't destroy the clothes, but did destroy the paper bag.) She desperately wants to go outside, so I have to figure out some kind of catio situation--she escaped the other day and immediately beelined under the deck, so this needs to be addressed. But she was a perfect angel on the drive home, not even making a peep on the road or on the ferry, which is loud and stinky.

She has the tiniest, sweetest meow, and dainty little feet like Olive's, but they are deadly when she puts them on like my femoral artery and it reminds me a lot of my dear miss Ollie. At night, she wants to be so right up on my head that she does this Alien face-hugger thing and it's this horrible battle of wills because I cannot breathe but she just tries over and over and I have to keep pushing her away. I do love her, but she has definite opinions. She is a bit of a chonk, but I think I can get her weight down a little. And she had all but her bottom canine teeth removed because of dental disease, but she can still bite, as my nose can attest. Her finickiness with food is slightly annoying, though.

Pics of Hazel )

Yikes, can someone tell me how the hell to make those pictures normal size??

In other news, I had chemo last week and Dr. Li came in with "big news": the fuckers who bought the Polyclinic, where I have been going my whole adult life and which had a great reputation around the area for like 80 years, are shutting down his department. So no more hematology oncology. So he has two months to find placements for all his hundreds of patients, and there are limited spots where those of us in active treatment can really find this type of care. It's not that you can't go to a general oncologist, but they don't know the ins and outs of this very weird rare cancer, and blood cancers have their own special needs. I really don't want to go to Fred Hutch, despite it being a premier cancer center, for various reasons, so he's going to try to send me to the system I had radiation at and still see a doctor as well as a physical therapist at, but I don't know how long they're going to maintain their identity, since they "merged" with a large Catholic hospital system a few years back (I have very strong feelings about women's health at Catholic hospitals and am really angry that multiple Catholic systems are now running most of the hospitals here). I have no idea what to expect, if I'll get another horrible oncologist like the one I had at the beginning, or what. I'm filled with anxiety.

Because he's a great doc, though, he was careful to go through the calendar and my treatment schedule to make sure my prescription for pomalyst, the thalidomide analog that basically keeps me alive, will get phoned in before shuttering the office so my treatment isn't interrupted (though I have no idea how this whole thing will work and how soon I would be able to see my new doctor). So as of July 31, he's in early retirement (as is his great receptionist), and I will have to get used to a new normal somewhere else that I know nothing about.

Man, I'm so glad i have a cat with all this happening. I would hate to not have something to snuggle (her fur is SO SOFT). I still miss Blues like mad, and I still cry a lot about him, but it helps so much to be able to kiss a kitty head.

Reading post

Jun. 5th, 2026 09:21 am
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[personal profile] lucymonster
The Employees by Olga Ravn, trans. Martin Aitken: This Danish novella tells the story of a corporate space expedition gone wrong through a series of transcribed statements from employees aboard the ship. The statements are framed as having been given to a review team sent by the head office; no further context is supplied, except what can be pieced together from the statements themselves. The employees comprise natural born humans and lab-made cybernetic individuals called humanoids. Conditions are dire; both kinds of employee are effectively slaves, and devotion to the company has been deeply embedded in their psyches. Despite this, a rudimentary sort of rebellion is fomenting. The higher-ups have been rolling out a series of cheap, easily scalable technologies designed to paper over the catastrophic emotional wounds they are inflicting on their workforce, the latest of which are a mysterious set of objects from an alien planet that seem to exert some sort of lulling effect on people who get close to them. This ends about as well as anyone who doesn't sit on a board of directors could have told you from the start.

So basically, this story is a critique of late capitalist office culture. The message is not exactly subtle, but the trappings are so enthrallingly weird and creative that it ends up feeling like a lot more than the sum of its parts.

And Then There Were Nuns by Jane Christmas: This is a memoir by an established travel writer and devout Anglican who spends a year trying to become a nun. My first temptation is to scrutinise whether she really meant to be a nun or had just scented another marketable adventure, but I'm intentionally slapping that impulse away, because the book is lovely and deserves to be taken on its merits. And regardless of her initial purity of intention, the experience takes Christmas to some very heavy places. A session of lectio divina near the start of the process stirs up the memories of a rape she's spent decades of her life pretending never happened, so while discerning a possible vocation and grappling with her religious identity, she also ends up having to walk this painful path of trauma healing.

I also suspect that Christmas' obvious unsuitedness to cloistered life is exactly what makes the book work: she makes a good mediator between the kind of woman who is capable of becoming a nun, and the kind of woman (hi) who is not remotely capable of becoming a nun but could stand to profit from learning more about their ways. Christmas' fantasies of a life spent in an aesthetically pleasing state of leisurely communion with God are promptly supplanted by a hefty chore load, a jam-packed worship timetable, and the demand for a total renunciation of self-will. It’s not the big picture stuff she ends up chafing against. It’s the petty deprivations, like the dowdy habits (Christmas considers herself a fashionista) and the annoyance of not being allowed to finish her game when the hour of recreation ends. I get this. I think almost all of us probably get this, regardless of our vocation. I would give my life for my kids without a moment’s hesitation but will I give my morning coffee? Will I close my browser window, right this second, and go do something that benefits them instead? Because that’s what convent life is set up to train nuns to do. And watching an ordinary, self-willed woman fail at it is somehow very inspiring: I couldn’t do it either, not properly, but perhaps I could start doing a little bit more of it here and there! And perhaps that would be better than nothing!

At one point Christmas shared a remark from a priest, that taking confession from nuns is like being stoned to death with popcorn. I think that image will stick with me for a long time to come.

some good things

Jun. 4th, 2026 11:41 pm
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[personal profile] kaberett
  1. was invited to read A Bedtime Story :)
  2. fresh new bedlinen
  3. Eating More Food has in fact fixed the muscle soreness, again
  4. successfully achieved a favour for a person (via venturing into the Warhammer shop halfway down the hill)
  5. after the torrential rain, the sunset
susieboo: An icon of Double Trouble from She-Ra and the Princesses of Power, with slightly muted colors. DT is resting their chin in their hand with a thoughtful expression. (Default)
[personal profile] susieboo posting in [community profile] fancake

Fandom: Hatchetfield
Pairings/Characters: Wilbur Cross/Charlotte Sweetly, mentioned Charlotte/Ted and Zoey/Sam
Rating: Mature
Length: 2,150 words
Creator Links: AO3 profile.
Theme: just like canon

Summary: The Honey Festival is supposed to be the best night of the year in Hatchetfield. Unfortunately for Charlotte Sweetly, her husband ditched her, Ted Spankoffski left with another woman, and Bill delivered some bad news. Her night just kept getting worse—and then it got weird. After all, the Honey Festival is a time when things from the Black and White can walk the streets of Hatchetfield, and Wiley's got plans of his own.

Reccer's Notes: Charlotte is a thoroughly underutilized character in the Hatchetfield canon, and this fic reads exactly like how a Charlotte-centric episode of Nightmare Time might play out - down to using the script formatting. This has also really gotten me interested in Charlotte/Wiley as a pairing.

Fanwork Link: AO3

(Please add the Hatchetfield fandom tag! Thank you!)

[ SECRET POST #7090 ]

Jun. 4th, 2026 06:17 pm
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[personal profile] case posting in [community profile] fandomsecrets

⌈ Secret Post #7090 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.


01. 6PI1FLm.png



More! )


Notes:

Secrets Left to Post: 01 pages, 07 secrets from Secret Submission Post #1012.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Green or Gray?

Jun. 4th, 2026 09:34 pm
[syndicated profile] languagehat_feed

Posted by languagehat

Beth of the Cassandra Pages is an old friend (my wife and I visited her in Montreal in 2004: 1, 2) and it’s always a pleasure to hear from her; she’s sent me a link to You see grēne where I see grœg from a Scottish knitting blog written by Kate Davies, whom Beth calls “a very smart designer,” and while it’s mostly about colors themselves, there’s enough linguistic material I thought I’d bring it here.

Your responses to yesterday’s piece – in which I introduced KC’s fabulous Chingly Yorlin – really interested me. In both the Ravelry group and newsletter comments, many of you suggested that you do not see Chingly as I do – as a greenish-grey – but as very definitely green. […] Whether we see / name a colour as “green” or “grey” can depend on many factors: the physical mechanics of perception, our cultural heritage, our linguistic positioning, and (it is now increasingly clear) our age. […]

As grey is one of those shades which, for many of us it seems, perpetually hovers in an area of chromatic indeterminacy, you may be interested to know that, in some languages, it is among the first colours to be named. In Old English, grœg (grey, grey-ish) is a basic colour term (or BCT) that appears in the language at an earlier date than blue (hœwen) and which is used in a wide variety of contexts in reference to everything from wolves and stones to stormy seas.* [*My discussion of of grey and green in Old English and Old Norse-Icelandic draws heavily on Carole Biggham and Kirsten Wolf’s excellent A Cultural History of Colour in the Medieval Age, volume 2 in Bloomsbury’s Cultural History of Colour series (2021; 2024)]

Gren (grēne) is a BCT that precedes blue in the Old English language too: in reference to freshness or newness, to un-ripe or uncooked things, to glassy gemstones and to metals with a colourful patina, such as copper or brass. Grēne also frequently appears in Old English place names in association with landmarks, property boundaries, and objects in the natural world, such as paths, hills, and trees.

While grēne and grœg are both Old English BCTs, then, grey is also associated with a surprising number of non-basic, or secondary terms in this language such as hasu (a brown-ish grey which is used in reference to the plumage of many birds) and fealu (a pale, yellow-ish or red-ish-grey).

Grey and green (grár and grœn) are BCTs in Old Norse-Icelandic too, with grár possessing, as Kirsten Wolf puts it, “stability of reference across Old Norse-Icelandic texts spanning several centuries and across various types of vocabulary” By the time of the very earliest literary documents in Old Norse-Icelandic, grár possesses, in Wolf’s words “a well-established achromatic meaning (without hue).” Her work shows how the development and consolidation of grar as one of the earliest Old Norse-Icelandic BCTs historically preceded that of grœnn (green).

Fascinatingly, while grey is one of the earliest and well-documented colour terms in these northern languages, it is emphatically not so in those of the European south or east: in Latin, Greek, or Old East Slavi[c] (Old Russian) grey is very low down in the list of early-documented shades.

My own linguistic parameters remain rather narrowly European, and I unfortunately know nothing about the development or consolidation of grey / green BCTs in Mandarin or Japanese, Urdu or Punjabi (perhaps speakers of these languages can enlighten us?). But I often find myself wondering just how far the long linguistic / cultural heritage of those of us who speak the modern European languages which arose out of Old English and Icelandic, Latin and Greek, affects the very particular ways in which we now see, describe, and understand rather blurry colour concepts such as “grey” and “green”.

The rest is about perception, and is interesting in its own right; there are a great many gorgeous photographs as well. As for the Old English words, grǣġ (her “grœg,” with the wrong ligature) is the West Saxon form of what is also written grei(g) ‘gray/grey’; hǽwen (again, her “hœwen” has the wrong ligature) is s.v. haw (“Obsolete exc. Scottish”) in the OED, which defines it as “Blue, azure; bluish, grayish- or greenish-blue”; hasu, from Proto-West Germanic *hasu, has left no modern descendant but has a relative in French hâve ‘gaunt’; and fealu is modern fallow ‘pale red or yellow, light brown.’ The OED says of it:

The semantic range of the word as a colour term in early use in English, as well as the other older Germanic languages, has been the subject of considerable discussion, especially its use in Old English verse, where it occurs in some unexpected contexts, e.g. describing the sea or its waves (this particular usage survives into Middle English verse; compare quots. OE³, c1440 at sense A.1). It has been suggested that such early uses may imply a degree of brightness rather than a specific hue. Compare also the use with reference to pallor of the human face (compare quot. c1405 at sense A.1 and also fallow v.¹ 2).

Thanks, Beth!

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